Tragedy And Aristotle

Tragedy and Aristotle Ancient Greece was the birthplace of drama. Drama comes from Greek linguistic process meaning to do or to act. By the fifth hundred BC dramas were presented at religious festivals twice a form (Ancient Greek n.pag). These grew out of the worship of the god Dionysus. The nearly illustrious classic play-writes from this time were Aeschylus, Sophocles, and Euripides. Aristotle, a philosopher from the 4th speed of light BC, wrote prescriptions for tragedy in his Poetics, which were based on these classic dramas. Aristotle called Euripides, former of Medea, the most tragic of the poets because his plays were the most moving (Ancient Greek). Though effective tragedies come through different pretexts from the classics, they still follow canonic principles. Fences, a modern drama by August Wilson, is a tragedy because it is tardily comparable to Medea which is consistent with Aristotles prescriptions. First of all, for a drama to be considered a trag edy it must show events of grave greatness as Aristotle explains, a tragedy, then, is the imitation of an execution that is serious. Medea demonstrates serious events as Jason, Medeas husband leaves her to marry the princess of Corinth: [H]e, my own husband, has sullen out solely vile (Euripides 8). The drama also exhibits serious-mindedness through the deaths of the princess, Creon (her bewilder and king of Corinth), and Medeas children: There they lie close, the miss and the old make, / suddenly bodies, an event he prayed for in his disunite (39). Fences also contains elements of seriousness that could parallel Medea as to the effect that the father in the story, troy weight, commits adultery: Im trying to find a demeanor to tell you¦ Im gonna be a daddy. Im gonna be someones daddy (Wilson 66). Troy also forms a distant relationship from his son, Cory: You dont count... If you want to make it a right essay, order it on our website: OrderCustomPaper.com

If you want to get a full essay, visit our page: write my paper