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Saturday, March 23, 2019

Grapes of Wrath Essay: Naturalism in The Grapes of Wrath :: Grapes Wrath essays

Naturalism in The Grapes of Wrath          In John Steinbecks fable The Grapes of Wrath, the Joad family and the changing world in which they live is portrayed from a naturalistic point of view. Steinbeck characterizes the Joads and their fellow migrants as simple, instinct-bound creatures who atomic number 18 on an endless await for paradise (Owens 129). The migrants and the powers which force them to make their journey--nature and society--are frequently represented by animals. The Joads, when they initially croak home, are a aggroup of simplistic, animal-like people who barely fancy or even realize their plight, except as the story progresses, they array to grow and adapt to their new circumstances. They evolve from a small, insignificant group of creatures with no societal consciousness into a single member of a much larger family--society.      Steinbeck strongly portrays the Joads and other displaced Okies as being anima listic. They much talk about their predicament in simplistic terms that apprise that they are initially not conscious of the circumstances that force them to leave Oklahoma. Muley Graves, for instance, tells Tom Joad and Jim Casy that the rest of the Joads, whose house has been destroyed by a tractor, are piled in Johns house like gophers in a winter tunnel (Steinbeck 47). This presents the image of a family of animals that have clustered together, hoping to fend off a predator with their greater numbers. They see the societal problems around them in terms of a predator as well on one occasion, Casy asks a man at a service station, You ever seen one a them Gila monsters take hold, mister? (Chop him in two) an his head hangs on. An while hes layin there, poison is drippin into the hole hes make (Steinbeck 132). This refers to the devastating, unbreakable grip of the socioeconomic forces at work above them (Lisca 96). A particularly important element that represents the migrants o n a naturalistic train is the turtle (Lisca 97). Introduced in the first interchapter, the turtle trudges along wearily but steadily on a relentless search for a break up place to life. In a similar way, the Joads are constantly on the move. They do not really comprehend why they have to travel, withal they accept it (Owens 131), and are determined to reach the promising paradise of California. uncomplete the turtle nor its human counterparts will be stopped by both obstacle.

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